A trip to Baltimore will last for almost three months, but there's one hour (or so) near the end of that time that is so long and heavy that it shall hog up the entire memory of that trip"” spilling out those edges, even, and leaking into other cities stored adjacent and nearby.
You and your friend from home decide to devout an afternoon to routine maintenance of your primary traveling vessels"”there is a Jiffy Lube that is a reasonable number of blocks away from the Free Clinic, there is a Free Clinic, and there is a comfortable chunk of time to spare.
Upon entering the Free Clinic, though, at the end of a brisk walk under a confident spring sun, you find yourself standing at the outermost circle of Hell"”the ninth circle, the Pluto of Hell's layers: the circle so small and so comparatively free of the gravitational pull of the great fireball in the center of Hell that it can be reached by those who are fully living, if they decide to make the effort to get there.
You can tell you are near Hell proper because of all the flies. The front door is propped open but the sunlight only ventures in so far. The air gets a little thicker, although it still looks like the air you are used to, and it's the same temperature. There are maybe 16 or 17 seats, all facing towards you as you look in from the threshold of the doorway, and they are spread out in uneven rows. On a few of the chairs, some of the red material on the seat back has been picked away and the white, sticky stuffing is showing through. A few of the chairs have people in them, and a few of those people look like most of their flesh and fat has already departed on small ships bound for deeper places in Hell, perhaps on previous visits to this very room. Some people look used to the flies, radiating the same blend of awareness and indifference towards them that all of the humans in the room are projecting towards one another.
At the end of the short hall at the entrance, right where the building balloons out and becomes the room with the chairs in it, there is one of those doors that is partitioned in the middle, and the top half is opened but the bottom half is shut, making a little counter-window. The cheerful-looking Asian college girl on the seat behind the table hands you two tickets: one is red, and one is blue, and both have completely different 7-digit numbers on them. You sit down in one of the chairs, trying to keep an appropriate number of empty seats between you and the others waiting here (not too many, not too few"”it's a tricky balancing act that you don't have much time to dwell upon) and begin your own waiting. Different doctors appear from one of the various doorways scattered around the perimeter of the large room and call out non-sequential, two-digit numbers, most of which seem to be within spitting distance of the final two digits on one or the other of the colored tickets you hold"”although, you can only assume that these people are doctors: they carry clipboards and accompany the bearers of the figures they announce into what appears to be examining rooms behind their respective doors, but they are dressed as casually as the patients they bring into their rooms. Occasionally one of these "doctors"¯ will walk to the front counter to retrieve or drop off a folder before calling out the number and returning to their room with that number's possessor.
The order of the calling does not seem to follow any discernable pattern"”you are unable to anticipate when your number might be called, because the numbers announced seem to vary so unpredictably. Also disturbing your attempts to sort out the code of these broadcasts is the old television at the top of the black TV-cart off to the side, facing towards the chairs. On this old, wood-paneled television"”very likely donated by a nearby grade school or community college"”a short video made during a particularly potent portion of the 1980s blares information and testimonials concerning genital herpes, and specific personal experiences with this virus are related at an obscenely loud volume by various people unmistakably of this particular period in time.
You do notice, however, that there is something peculiar about one of the doctors. He has no hands. Instead, his wrists taper down to one long, curled finger-like appendage. Attached to each of these is a bulky, protruding metal rod that acts as a non-opposable, makeshift thumb. This doctor can hold a folder by putting it between his "finger"¯ and the metal protrusion, and pushing against it. While you stare absent-mindedly at his unique deformity, you hear him call a number"”panic strikes you, when you look down to see that it is not one of the numbers you hold. You are not completely relieved, though"” there is still a possibility that he will draw your name in this hellish lottery, that he shall be the one who conducts your physical examination. There is no way to know how close he may be to pulling out the two digits matching those on one of your stubs. Nobody moves in his or her seat. The television continues to blare.
When you are snapped to attention by the sound of your number, a young black girl on the TV is just beginning to tell a young black male why she chooses to abstain from sex with him, in the form of a rap. The doctor stands at the open entrance to one of the examining rooms with his face buried in an open a folder, one that he holds in his artificial claws.