Mary-Kate's cat meows out against drugs.
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CH Staff
Very Mary-Kate: Comet
By
Elaine Carroll & Sam Reich
INT. APARTMENT - DAY
Mary-Kate is in the kitchen. It's unclear who she's talking
to.
MARY-KATE
I need to ask you something. And
I'm sorry to put you on the spot.
But there's no one else closer to
me in the whole world. So be
honest. Do I do too many drugs?
In the reverse, we reveal COMET, who's talking in this
episode. He sounds kind of like MORGAN FREEMAN.
COMET
No!
MARY-KATE
Really?
COMET
No, no, no, no, and meow - which,
by the way - means no.
MARY-KATE
Oh my God. Thank God.
COMET
But-
MARY-KATE
Oh no. My least favorite
conjunction.
COMET
Just to play devil's advo-cat, you
should take my opinion with a grain
of salt, if not a whole sardine.
MARY-KATE
Gross. Why?
COMET
In case you hadn't noticed, I'm a
talking cat.
MARY-KATE
That's what it is. I was like,
what's changed? Is he shedding?
No collar? But now I see it.
You're talking, like human beings
do.
COMET
I could very well be the result of
a drug-induced hallucination, which
means...
MARY-KATE
(struggling)
You... telling me to do less
drugs...
COMET
Go on...
MARY-KATE
Is...
COMET
So close...
Mary-Kate snores, asleep. Comet's CAT PAW comes in and
WHACKS her.
MARY-KATE
(startled awake)
AH.
COMET
You're not talking to me at all,
Mary-Kate. You're talking to
yourself.
MARY-KATE
THIS WHOLE TIME? But we had a
conversation about international
politics!
COMET
You just made that stuff up.
MARY-KATE
So the Gaza Strip isn't a type of
bikini wax?
COMET
I would shrug, but I can't, so I'll
just say - "shrug."
MARY-KATE
Oh Comet, I always do this. Just
yesterday, I asked a mannequin what
she thought of a dress that I had
taken right off of a personal
shopper.
COMET
The truth is, the drugs are gonna
catch up with you at some point.
Just like I'm gonna catch up with
that tail.
MARY-KATE
About that tail...
COMET
What?
MARY-KATE
That's you.
COMET
(beat)
THIS WHOLE TIME?
MARY-KATE
I'm gonna miss talking to you,
Comet. Even if you are just a
voice in my head leftover from
watching "March of the Penguins."
COMET
Now, if you don't mind, I'm gonna
go sleep for 18 hours.
MARY-KATE
Same.
COMET
Wait.
MARY-KATE
What?
COMET
Don't move.
MARY-KATE
What is it?
COMET
There's a red dot on you.
A LASER POINTER RED DOT appears on her face.
MARY-KATE
Oh no!
COMET
Hold still.
Comet's PAWS come into frame, trying to get at the red dot.
MARY-KATE
GET IT OFF, GET IT OFF, GET IT OFF!
End.
| cast | |
| Mary-Kate | Elaine Carroll |
| crew | |
| Director | Sam Reich |
| Producer | Sam Marine |
| Editor | Sam Reich |
| President of Original Content | Sam Reich |
| Executive Producer | Spencer Griffin |
| Director of Post Production | Michael Schaubach |
| Production Manager | Sam Sparks |
| Assistant Production Manager | Jeremy Reitz |
| Post Production Producer | Lacy Wittman |
| Hair and Makeup | Hana El-Assad |
| Puppeteer | Andy Myers |
| Sound Mixer | Harris Karlin |
| Visual Effects | Gloo Studios |
| 1st Assistant Camera | Lisa Hall |
| Assistant Editor | Phil Fox |
| Post Production Coordinator | Amanda Madden |
| Production Accountant | Christine Rodriguez |
| Assistant Production Accountant | Daniel Siegel |
| Erin Marshall | |
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