Mary-Kate gets lost indoors and has to crack out her survival skills.
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CH Staff
Very Mary-Kate: Summer House
By
Elaine Carroll & Sam Reich
INT. FOYER - DAY
BODYGUARD enters MARY-KATE'S ROYAL-LOOKING SUMMER CHATEAU,
bags in tow.
BODYGUARD
Here we are. Your summer chateau.
MARY-KATE busts through behind him.
MARY-KATE
I have to pee, I have to pee, I
have to pee, I have to pee...
Bodyguard pulls out an enormous-looking MAP.
BODYGUARD
There's a bathroom past the water
fountain, beside the reflecting
pool, opposite the koi pond-
MARY-KATE
Are you trying to make me pee
myself?
She leaves.
BODYGUARD
(to himself)
God, this place is huge.
INT. HALLWAY - DAY
Mary-Kate comes out of a bathroom.
MARY-KATE
Ahhh.
(calling)
Bodyguard, this toilet needs
flushing. Bodyguard?
INT. BEDROOM - DAY
Bodyguard hears Mary-Kate distantly. We cut back and forth
between them.
BODYGUARD
Mary-Kate?!
MARY-KATE
Bodyguard?! Where are you?!
BODYGUARD
I'm in the...
(checks the map)
Cat groomer's guest room!
MARY-KATE
You want me to guess what room?!
BODYGUARD
Just follow the sound of my voice!
MARY-KATE
The route of my choice?! Are you
teaching me a lesson about
independence?!
BODYGUARD
Pendants? Every room has pendants!
MARY-KATE
(nervously wandering off)
Ehhh...
INT. MEZZANINE - DAY
Mary-Kate wanders in.
MARY-KATE
(to herself)
Now, what do I remember from being
a girl scout... in that VHS special
I did? Step one: leave a trail.
She breaks off her necklace and starts dropping pearls one
after the other.
MARY-KATE (CONT.)
Trails help orient you so that you
don't end up back where you-
Cut wide. She's back where she started.
MARY-KATE (CONT.)
Shit.
INT. STAIRWAY - DAY
Mary-Kate stands at the top of a stairway.
MARY-KATE
Step two: find the highest possible
ground and survey the land.
A pan of her POV reveals a gorgeous room.
MARY-KATE (CONT.)
(whispering)
Ooooh. Majestic.
Her nose bleeds.
MARY-KATE (CONT.)
Oh no! Altitude sickness!
INT. BATHROOM - DAY
Mary-Kate stands at the bathroom door.
MARY-KATE
Step three: find water, shelter,
and food.
In a series of quick cuts, she turns on the bath faucet,
puts a blanket over her head, and lifts up a copy of Bon
Appetite magazine.
MARY-KATE (CONT.)
Meals on a budget: page 38.
(sigh, turning pages)
Desperate times...
INT. BEDROOM - DAY
MARY-KATE
Step four: find a companion. I
guess it's just you and me,
Ash-vase.
Reveal that Mary-Kate is putting a lipstick face on a vase.
It topples over and crashes. A beat. Mary-Kate turns to a
lamp.
MARY-KATE (CONT.)
I guess it's just you and me,
Ash-lamp.
INT. LIVING ROOM - DAY
MARY-KATE
Step five: build a fire. These
books should do the trick.
In a top shot, Mary-Kate dumps a bunch of books on the
floor.
MARY-KATE (CONT.)
Though I might need some kindling.
In the top shot, Mary-Kate dumps a bunch of kindles on the
floor. Mary-Kate lights a match nervously. Reveal
Ash-lamp, propped up and watching.
MARY-KATE (CONT.)
It's going to be fine, Ash-lamp.
Don't be nervous.
Cut wide. As Mary-Kate holds a match to the books, we see a
HUGE FIREPLACE behind her.
MARY-KATE (CONT.)
This is as good a spot for a fire
as any.
INT. FOYER - DAY
Two FIREMAN cross by frame. Bodyguard has his arm around
Mary-Kate, who's wrapped in a blanket.
BODYGUARD
I'm just glad you're okay.
MARY-KATE
I'm better than okay. I learned a
valuable lesson! When push comes
to shove, and push is me and shove
is the wild, I can make it on my
own.
BODYGUARD
You keep telling yourself that,
kiddo.
One of the two firemen approaches them.
FIREMAN
We did everything we could, but...
we couldn't save her.
He holds up a burned Ash-lamp. Bodyguard holds Mary-Kate
back.
MARY-KATE
ASH-LAMP! NOOOOO!
END.
| cast | |
| Mary-Kate | Elaine Carroll |
| Bodyguard | Luke Sholl |
| Fireman | Blake Jones |
| crew | |
| Director | Sam Reich |
| Producer | Sam Marine |
| Editor | Sam Reich |
| President of Original Content | Sam Reich |
| Vice President of Production / Executive Producer | Spencer Griffin |
| Director of Production | Sam Sparks |
| Director of Post Production | Michael Schaubach |
| Assistant Production Manager | Jeremy Reitz |
| Post Production Producer | Lacy Wittman |
| Art Director | Andy Myers |
| Hair and Makeup | Hana El-Assad |
| Sound Mixer | Harris Karlin |
| Boom Operator | Allison Howe |
| Gaffer | Zach Poots |
| Grip | Dylan Laziza |
| Assistant Editor | Phil Fox |
| Post Production Coordinator | Amanda Madden |
| Production Accountant | Christine Rodriguez |
| Assistant Production Accountant | Erin Marshall |
| Production Assistant | Blake Jones |
| Justen Van Dyke | |
| Intern | Grace Buttery |
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