Mary-Kate and Jewish-Looking Girl trip into friendship.
More By
CH Staff
Very Mary-Kate: Shrooms
By
Elaine Carroll & Sam Reich
INT. DINGY BASEMENT - NIGHT
LIMOR and her two friends, KRON and TANELY, hover over some
shroom tea.
KRON
So everyone should have three caps
and four stems.
TANELY
Wait... I have four stems and three
caps.
KRON
You'll be fine.
There's a knock at the door. Limor opens it and reveals
MARY-KATE. LIMOR MARY-KATE
LIMOR
Oh barf.
MARY-KATE
Hello!
LIMOR
How did you find me here?
MARY-KATE
You butt-dialed me!
LIMOR
That explains nothing.
MARY-KATE
Sure it does! I had my private
investigator trace the call and
then popped over in my Olsen Force
one helicopter and stashed my
parachute in your laundry room, so
if you see a parachute in there,
could you wash it on delicate?
Watcha doing?
TANLEY
Drugs.
MARY-KATE
Oooh, like Aderall? Ketamine?
Methylone?
KRON
Shrooms.
MARY-KATE
Shroomsapin? Shroomsacore?
LIMOR
Mushrooms?
MARY-KATE
Eeeee.
LIMOR
What? You don't do that shit?
MARY-KATE
No, I don't normally eat food.
LIMOR
(holding it up)
It's tea.
MARY-KATE
Thank you so much, it is like a
gusty 68 out there.
She gulps it down. Limor looks on, amused. Mary-Kate reaches
the end of it and her face twists up.
MARY-KATE (CONT.)
Ugh, it tastes like bark and leaves
and rake.
LIMOR
That was shroom tea, so. It looks
like you're tripping with us now.
MARY-KATE
(laughing it off)
Oh, I don't think so. I've done a
lot of drugs in my time, and it's
going to take more than a cup of
tea to get all of the water out of
this rowboat that I'm suddenly in.
LIMOR
(pulling her inside)
Come inside.
MARY-KATE
Man overboard!
The door slams.
INT. DINGY BASEMENT - LATER
A top down shot of Mary-Kate and Limor. Their heads are
nearly touching but their bodies are pointing in different
directions. It's the classic drug trip shot.
LIMOR
And that's when I knew music would
always be a part of me. So I got
this tattoo. It's a base clef.
MARY-KATE
Ohhh. I always thought that was a
frowny face.
LIMOR
A frowny face?
MARY-KATE
Yeah, and I was all like, "Damn,
this girl is DARK."
They laugh. Limor adjusts herself so that she's facing
Mary-Kate.
LIMOR
I'm dark, huh?
MARY-KATE
Yeah.
LIMOR
(laying back down)
Whatever. Life is dark. Life is a
lonely trudge toward death. Not
that you'd know anything about it.
MARY-KATE
About what? Loneliness? Hello. I
followed your butt dial here in a
helicopter.
LIMOR
Yeah, but you're rich. And famous.
And a bodyguard follows you
everywhere.
MARY-KATE
That's not true.
LIMOR
Yes it is. He's standing right
there.
Bodyguard stands nearby and taps his watch.
BODYGUARD
Can I get an ETD?
MARY-KATE
Okay, so I'm rich and famous and
different than everyone else. How
do you think that makes me feel?
LIMOR
Yeah, but you're different better.
I'm different worse. Look at me,
with the make-up, and the parties,
and the drugs...
Mary-Kate indicates to herself.
LIMOR
Ha. Yeah.
TANELY
Guys. Guys. Kron has an
announcement to make.
KRON turns on and off a flashlight rapidly.
MARY-KATE / LIMOR
Oooh. / Holy shit.
INT. CLASSROOM - DAY
Professor finishes up a lesson. Mary-Kate and Limor sit next
to each other, awkwardly. Limor is in her own world;
Mary-Kate glances over at her nervously.
PROFESSOR
Again, these are the answers to the
test, so if you fail at this point,
you're pretty much braindead. Class
is over, get out.
MARY-KATE
So...
Limor leaves abruptly. Mary-Kate slumps down, defeated. She
glances down at her paper.
Limor has drawn a base clef frowny face. Close on Mary-Kate
as she grins weepily.
END.
| cast | |
| Mary-Kate | Elaine Carroll |
| Limor | Limor Hakim |
| Kron | Adam Newman |
| Tanley | Richard Jordan |
| Bodyguard | Luke Sholl |
| crew | |
| Director | Sam Reich |
| Writer | Elaine Carroll |
| Sam Reich | |
| Producer | Anu Valia |
| Sam Marine | |
| Cinematography | Vincent Peone |
| Editor | Sam Reich |
| President of Original Content | Sam Reich |
| Vice President of Production / Executive Producer | Spencer Griffin |
| Director of Production | Sam Sparks |
| Director of Post Production | Michael Schaubach |
| Production Manager | Jeremy Reitz |
| Post Production Producer | Lacy Wittman |
| Art Director | Andy Myers |
| Hair and Makeup | Hana El-Assad |
| Sound Mixer | Harris Karlin |
| Boom Operator | Jeff Gaumer |
| Visual Effects | Gloo Studios |
| 1st Assistant Camera | Owen Levelle |
| Gaffer | Zach Poots |
| Key Grip | Dylan Laziza |
| Wardrobe | Ashlee Warren |
| Assistant Editor | Phil Fox |
| Post Production Coordinator | Amanda Madden |
| Production Accountant | Christine Rodriguez |
| Assistant Production Accountant | Erin Marshall |
| Key PA | Andy Archer |
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